chris sims joker

It all comes down to Frank Gorshin, who just played the hell out of the role, snapping back and forth from manic glee to genuinely chilling obsession several times in every scene at a pace that would mirror the Joker’s portrayal in Batman: The Animated Series–which also reinvented the Riddler as a far more smug, intellectual villain–twenty-five years later. Unfortunately, they’ve swapped out the original Kyle Baker cover for an Alex Ross one, but c’est la vie. Even in the finale of Batman Year One–the Alpha to DKR‘s Omega–the Joker’s used as shorthand for the new type of criminal that’s going to be rising to challenge Batman. And that plays into the themes of the episode perfectly. Read this book using Google Play Books app on your PC, android, iOS devices. He can do anything, so why bother? I came out of that movie wanting to follow the Joker because he turned the craziness into some coherant plan… and i’m only mildly nuts. It made me think of the Batman Beyond movie “Return of the Joker,” which has some amazing stuff in it. Basically, that just means you want a complete story that shows you everything you want to see about Batman—not just the character, but the world in which he lives and the challenges he faces in his life of crimefighting. I think you’re absolutely right. The best part, though, is the way it uses its visual language to create a hierarchy in Gotham. Chris Sims said... Batman saying "You just can't trust that guy!" ... Comics essayist and Batman historian Chris Sims offers a theory. I'm honestly tempted to make a case for "Beware the Gray Ghost," too, because it's the story that best encapsulates what the idea of Batman means to his readers. These three topics are essential in discussions about any truly interesting villain. Regarding the initial failure of Harley Quinn’s solo series, Batman historian Chris Sims blamed it on the relocation of Harley into the comics’ continuity and away from the TV plots. Strange, crazy goals, that they create plans to reach. We’re humans and have to grow up, throw off the shackles, and take care of ourselves. The trick to the episode is, of course, that he's been disguised as Killer Croc the whole time, leading to one of the best visual moments in the entire show: a shadow falling across Croc's face and revealing him to be Batman. “I’m not a monster… I’m just ahead of the curve!”. This path brings him face-to-face with his alter-ego: the Joker. For The Riddler his greatest Riddle is trying to solve why Batman IS Batman. ATTENTION HOLLYWOOD DIRECTORS: What we want more of is shots of extras hiding things. Nov 2, 2020 - Explore Amanda's board "Sims 4 Superhero CC", followed by 102 people on Pinterest. I remember when I was very small, reading a little book version of the Laughing Fish, which probably explains so much about what I have become. As someone reading Batman when the issues you mention came out: spot on analysis, Chris. And by now, you’d have to know that he’s totally bugfuck crazy, so he might just kill you because he thinks it’ll be funny. Deadpool: Bad Blood - Ebook written by Rob Liefeld, Chris Sims, Chad Bowers. And that’s not really that compelling. Gabriel: The sad reality of any society is that you make rules for the idiots, and they'll always hinder the normal people. Its talked about in the movie – he attracts the mentally unstable. They're not just stock adversaries, they're characters in the story, with their own thoughts that exist independently of simply trying to kill Batman, even if that's their most pressing concern. I’m a dog chasing cars. Anyway, it brings up the question that Terry McGinnis, the new Batman, asks at the end of the movie; is the Joker just trying to get Batman to laugh? Luthor stands up and says, “No! He’s the escalation, the one that can’t be intimidated by Batman’s physicality or figured out by his deductions or scared by his demonic costume. While Supes may be “a symbol of everything that’s good and selfless with a face and a logo on his chest,” alien-hating Luthor represents Man against Myth, Man against Superstition, and Reason against Religion. What moves him? So you disagree with the Joker’s characterization of himself in TDK as “Do I really look like a guy with a plan? From Your Friends @ He isn’t even in on Gordon’s plan to catch the Joker! I don’t think I’m really advancing an unpopular opinion when I say that Batman has the best villains in comics, but even among a crowd that strong, the Joker stands out. Sometimes the plans are crazy and sometimes they’re brilliant, but making plans for a goal doesn’t make one any less mad. The one in the bright colors with the big smile who does magic tricks… that’s the one you need to watch out for. The Train!" In other words, the only thing really different about Batman and Joker are their ultimate goals (order versus entropy). Really, he’s just as much of a guy with an agenda as batman or dent or the mobsters are, he’s just a hypocrite. The one that really defines the Joker, though, is the Steve Englehart and Marshall Rogers’ The Laughing Fish/Sign of the Joker from 1978’s Detective #475-476, which gives us the amazing, iconic image at the top of this post. (Why so) seriously excellent post, Chris. I picked up some black & white Adams/O’Neil Batman trades last week. Gotham has a whole Narrows full of madmen… I try to show the schemers how, pathetic, their attempts to control things really are.”, Of course, as you’ve written, “The Joker” isn’t one character but several depending on who’s writing the story, and besides, the character isn’t always honest…. After you pull away the “chaos” and the “lies,” what’s left for the character? Ask Chris #173: The Trouble With Harley Quinn In this week's column, Chris Sims discusses Harley Quinn, the Joker's girlfriend one of the most misunderstood and misused characters in … That’s what made the end of TDK so frustrating for me. Explore this storyboard about Movies, Lego, Heath Ledger by … Two-Face's, on the other hand (drawn from World's Finest #30's "The Penny Plunderers, which, in case you were wondering, is the source of the giant penny in the Batcave's trophy room), is escaped with cleverness and stealth. Incidentally, on the animated series, they added aspects of “Five Way Revenge” to the episode based on “The Laughing Fish” to meet the standard of shark-fighting. One of the key elements of the Joker in TDK is that he’s always lying about something, whether it’s giving conflicting origins for his scars or manipulating others. You could make the case for any one of those as a perfect unit of Batman, especially the one that ends with him getting into a shirtless swordfight with an immortal bio-terrorist. And even though he’s playing one of the most ridiculous characters, he’s the only one who could slot right into Nolan’s Bat-verse and work his magic. Even Lex Luthor, who was an ever-present arch-nemesis for Superman, didn’t really reach his full potential until we saw how far he was willing to damn himself for revenge in–of all things–an imaginary story. Well, if the shots are clever and interesting and relatively brief, then yeah, shots of extras hiding things are not necessarily bad. That sequence rules pretty hard, is what I'm getting at here. Jun 9, 2016 - The Biggest Collection of Joker Wallpapers. They might hate Batman enough to try murdering him with a poisoned hummingbird or whatever, but her relationship with him is far more affectionate, even if they're on opposite sides of the law. While the other crooks tell stories that just involve going up against Batman, the Joker is the one villain of the episode who tries to hurt Batman by killing someone he cares about—and he does it from behind his ever-present smile, insisting that the others tell their stories first because he knows his is far more vicious and the rules of theatricality demand that his be told as the climax. It also plays up the idea of Batman as a hero who succeeds by turning the villains' methods against him. ", Again, this is one that's included at the top of almost every list of the show's best episodes, so in that respect, it actually fulfills both of your questions. …So, you doing anything later? For our purposes, though, we need to focus on what it really means to be a "perfect unit of Batman.". Thanks for the great post, Chris. It also establishes a sort of parity between them. I wouldn’t know what to do with one if I caught it! At first glance, this seemed like one of the toughest questions that I've ever had to answer. Don’t know if it’s actually true, but it is true many people instinctively fear clowns. For now, all you need to know is that it’s Batman hitting someone with a chair while asking them to take a seat. That’s a hell of a detailed analysis. Even beyond that, though, there are the stories that were adapted from great comics, like "The Laughing Fish" (inspired by the Steve Englehart and Marshall Rogers story of the same name from Detective Comics #475 – 476), "Appointment In Crime Alley" (Denny O'Neil and Dick Giordano's "There Is No Hope In Crime Alley," from Detective #457), and, my personal favorite, "The Demon's Quest" (O'Neil and Neal Adams's "Daughter of the Demon" from Batman #232). Part of what bothered me about the TDK is the notion that the Joker was the planner. Why doesn’t the Joker get the death penalty? For that matter it certainly doesn’t make them anything other than mad. It’s not like the owners stumbled onto him mid-theft or had to be interrogated to find the location of their wealth. They deserve the spotlight too =). Chris: It’s worth nothing that this is loaded with typos. Ah, just because someone had a goal doesn’t make them predictable. The best appearances of the Joker fit into that archetype. I think Batman also sees part of himself in the Joker. My beef with “The Dark Knight” is that the Joker you describe doesn’t appear in it. What a wonderful and thoughtful analysis of the Joker. Dman! No, somehow I missed the gang in that scene, filled as it was of action-packed shots of them not being in it. And it becomes a goal for Batman to figure out a way to stop the Joker. As great as the Ra’s Al Ghul story is Adams pulls out all the stops with Joker. It’s as close to a turning point for the character as you’re likely to find. They just start from strange premises…. This was the Joker in full end-boss mode, the Final Form of the Clown Prince of Crime that shot and paralyzed Barbara Gordon and gleefully beat Robin to death with a crowbar. It is too bad Heath Ledger died. Drop ceilings and low-traffic maintenence areas also present possibilities. There were so many issues where Adams only did a great cover…, “It’s also worth noting that Marshall Rogers didn’t just draw the Joker as a man who smiled all the time, but as a man who couldn’t do anything but smile, an influence that he traced back to the 1928 film The Man Who Laughs”. So, if the plan is perfect, it stands to reason the hospital was wired in advance. You know, I just, do things. Well done! I have to point out that there is a great trade from a number of years ago called “The Greatest Joker Stories Ever Told” which has the Joker’s first appearance as well as “Five Way Revenge” and “Laughing Fish”. Just pure nonsense. Superman, for instance, isn’t just a good man with super-powers, he’s a symbol of everything that’s good and selfless with a face and a logo on his chest, and as much as Batman’s come to symbolize the relentless, single-minded pursuit of justice, the Joker’s done the same, becoming chaos itself. Great post. He then embarks on a downward spiral of revolution and bloody crime. I think ultimately what makes The Joker the best villian Batman has is that the character has so few restrictions. Who knows HOW far in advance they stuffed it with explosives? They let schoolkids do it now. —Chris Sims and Matt Wilson on X-Men Origins: Wolverine It’s not even about himself, it’s just about baiting Batman into another confrontation. I DEMAND MY MONEY BACK.”. No, he just killed them because they were convenient targets. And how much energy must be expended each time to NOT break your moral code [so the law doesn’t come after you full force for being a vigilante who KILLS]? Essential reading for the hardcore and casual Batman fan. In her first appearance, "Pretty Poison," Ivy seduces and attempts to murder Harvey Dent, and it turns out that he still holds a pretty understandable grudge, even after switching sides and becoming a supervillain. Even the deathtrap itself reflects that. This was without a doubt one of the most concise dissertations on the Joker ever. *I’ve always maintained that the Joker’s problem in that story is that he doesn’t understand the difference between copyright and trademark. No matter what he says, he’s a consummate planner with a goal–anarchy–that’s every bit as clear as Batman’s. You’re right that the ‘no plans’ bit was hypocrisy, though. Then something went wrong, and he was ‘cut loose’ – his face is a disfigurement form a particular form of torture – sometimes used by the IRA. It’s the first occasion (and perhaps only time) where he meets an intellectual equal of the opposite side. Cookies help us deliver our Services. I would argue that the Joker (at least Ledger’s version) is trying to remind people of the real truth of the world. Sims does a fantastic job emphasizing this duplicity of order and chaos. Looking at the character today, it’s obvious that he’s not only Batman’s arch-nemesis, but that more than any other villain, he’s evolved alongside his opposite number to become something more. This, according to Rogers, was the central tragedy of the Joker: Even if he wanted to cry at all the horror he had caused, he was physically incapable of doing anything but laughing at it, a theme that continued into The Killing Joke. — Chris Sims on Batman: The Brave and the Bold #191 "He's precisely the sort that you want on your side during a conflict, somebody who is willing to do anything to get the job done and leave his personal feelings at the door . Alfred and Robin are absent, of course, but we see Commissioner Gordon and the GCPD, and, more importantly, Catwoman. Deception and intimidation are tactics usually associated with the bad guys, but Batman uses them for good, terrorizing his enemies with a frightening presence and, in this case, lying to their faces and insulting them in order to gather the information he needs to stop a murder. It all fits. David Vern Reed (born David Levine; 13 December 1914 – 11 August 1994), was an American writer, best known for his work on the Batman comic book during the 1950s in a run that included a revamp of the Batplane in Batman #61 and the introduction of Deadshot in Batman #59 (July 1950). And that observation on Frank Gorshin’s portrayal was spot on. I think “The Laughing Fish” may have been the first non-Disney comic I ever read. Admittedly, the Joker was a pretty big deal — he killed almost as many people in that movie as … Because, you know, he’s the bad guy. Break that down and you go through a bit of a breakdown… For the Joker, though–the story that finished out his run on the title–Englehart went back to the character’s origin story and retold it with the addition of the “Jokerized” fish–infected with the “Joker Venom” that had been his weapon of choice in 1940 and returned in “Five Way Revenge,” brought directly into focus by Rogers: It’s a strange addition, but it’s one that changes the tone of the story completely. Again, thanks for letting me post here. Metcalf and Patrick Mahomes-Tyreek Hill. The Joker says, “And me employing the divine gift men call madness!” Plato in Phaedrus says, “… but there is also a madness which is a divine gift, and the source of the chiefest blessings granted to men.” Who says comics aren’t highbrow? You mean the gang that was present during the robbery and completely absent when Joker somehow managed to stuff a major metropolitan hospital full of explosives without any of the thousands of employees or patients noticing anything, or indeed without any establishing shots at all? Yes and no but yes but no , but kind of but not really but then again yes .but actually no . There is, however, a lot that we’d recognize as today’s Joker on the show itself, it just doesn’t come from the Joker; it comes from the Riddler. For evidence, you don’t need to look any further than the 1966 TV show. To be perfectly accurate, I’m a dropout. Not that I really think the point is worth arguing, but hospitals do have networks of tubes full of pure oxygen running through the walls/ceilings/etc pretty pervasively. There's a history there, and while it's explained well enough that you don't need to know it to enjoy the episode, it establishes another dimension to how they work. This is definitely on display in The Dark Knight. The Laughing Fish is probably my fave too. But we'll get back to that in a second. It's also a real-life story that doesn't really have an ending. Much like in your analysis of the Joker’s Five Way Revenge, he’s clearly committing murder at least as much for its own sake as anything else. The evolution of the character of Joker is one of the things that I looked forward to as it involves not only his sad plight (turning into joker) and the way he keeps on making strategical plans to bait Batman out in the open. I wouldn’t know what to do with one if I caught it!”. Pay attention to his face-to-face comments in the Interrogation scene in TDK to Batman. The way it draws on the Golden Age story to bridge the gap to the Modern Age, the element of mad randomness and anarchy that’s built on meticulous planning, the fixed grin. In "Almost Got 'Im," he's all over the place, in one deathtrap after another. Do you know how HARD it is to predict the actions of an insane man? By using our Services, you agree to our use of cookies. Maybe that’s why I’ve always found the end of The Killing Joke so disturbing. But even those characters fall short of the gold standard: Scarecrow’s archenemy may be Batman, but Batman’s archenemy is the Joker. I’d like to buy that a drink. More information Harley Quinn - He evolution and the misconceptions about her character. I mentioned before that the Joker’s the embodiment of chaos, but in this story–and others, including The Dark Knight–the way he spreads anarchy is through meticulous plans and an ability to second-guess and out-think everyone at any turn.”. Oh, I agree; it’s not that the Joker’s the only villain to evolve alongside the hero, but he’s the one that seems to have done so more than anyone else. And the way it seems to break the fourth wall sometimes… Joker Burgers!!! Explosives remaining hidden in a hospital is somehow more plausible? 9/11 was a few guys with knives, basically. I think you can look at it that way, but it may be a stronger correlation that both work outside of society’s boundaries in order to accomplish their goals. He has ZERO respect or camaradie with them – to him they are scum. ... Garth, the Renegade Scientist, a name that doesn't exactly have the intimidating ring of, say, the Joker. That is why they can never destroy each other, each completes the other. I feel I should point out that Ken lives in Texas, where they do. Nice to see someone else has thought about what makes this character so great. It does, after all, have pretty much everything you want to see from Batman: The casual way he takes a thug’s veiled punches and then lays him out in one shot (a trademark of O’Neil’s ’70s Batman), the deduction of where the Joker’s hiding based off the dirt on his shoes, he fights a shark, and of course… well, just look at this thing: Of course, it is a Joker story, and O’Neil did a lot to bring back what was so compelling about the character: He’s on a murder spree that’s ostensibly based on getting revenge against the henchman who sold him out, but beneath the surface, there’s the idea that for the Joker, it’s far easier to just kill five people than find out which one ratted him out. “They’re both amazing planners. His use of misinformation, his complete disregard of his ‘criminal allies’ but his DESIRE to NOT kill Batman. A force of nature is unpredictable, unplanned, has no goal, and unbiased. I start to see why Alan Moore's Joker stand-in in Promethea turned out to be a series of robots. And why its totally sweet and awesome! To be fair, though, as the Joker says, trying to kill Batman every time you see him is kind of a tough habit to break." You know what’s one thing I never got about the Joker? Why do people work for the Joker? Movies are mentioned, mostly with scorn, but the original source material is always the focus. Sims, that is clearly the second Nite Owl. It would be like the Scarecrow copyrighting Fear Toxin. *SIGH* You had to go and make me READ this morning. Download for offline reading, highlight, bookmark or take notes while you read Deadpool: Bad Blood. This reminds me of the olden days when we watched real people as batman and robin and they beating the joker’s ass out. . He only wants him to go on so that he can continue to play. That's What's Up: The perfect episode of Batman: The Animated Series. Most importantly, he emphasizes that the Joker’s order causes the chaos. 10:16. And if not the fish, then why not the formula for the Joker Venom. Even the robbery at the beginning is meticulously plotted out down to the order in which his henchmen kill each other, and it just gets bigger from there: He gets himself caught because he has a plan, and he even goes so far as to tell Batman the wrong addresses for Dent and Rachel to ensure that Rachel’s the one who gets killed, the result that causes the most pain for Batman and Dent. A busy hospital might have enough staff for people not to notice a bunch of new faces briefly passing in the corridor. That's Batman having fun, even in a life-and-death situation, and I love that about this episode. It's the allies. Then again, maybe I have this backwards. It's worth noting that there's another episode that aired only a few months after this one that pulled a similar trick. "Joker's Favor" is certainly a favorite, as it nails the terrifying menace of the Joker and how he affects the normal citizens of Gotham City, who are often overlooked as the people truly in danger. Sometimes it’s not enough to bash in heads; you’ve got to bash in minds. When the bank robbers escape the police, they do it by going up, climbing to the roof of the building where they'll eventually face Batman—they're literally above the law, beyond the capabilities of the police. Maybe, but I’m of the opinion that there has to be a turning point somewhere. He treats them as he WAS treated – as disposable assets. The Joker cheats, of course, but he literally has an ace up his sleeve. Swap out the playing cards and clown puns for birds, Egyptian artifacts, dinosaur eggs or cat statues, and the stories could’ve been about anybody in the cast. The running gag through the whole episode is that the "Killer Croc" who's playing poker with the villains and talking about throwing heavy rocks is actually Batman, pretending to be a dimwit until it's time to throw the Joker through a table. Mike Florio and Chris Simms draft the top QB-WR duos in the NFL, including Russell Wilson-D.K. The utter craziness of Silver Age Superman? Wonderful analysis of the Joke and why he works. That kind of begrudging camaraderie is a really interesting aspect of what makes those villains work: they all hate Batman, but they hate him in different ways, and they have histories with each other in addition to having histories with him. You don't dress up as a bat and drive around in a rocket car to fight supervillains just because you think a spooky cape is going to give you an edge against crime. And Doom is nothing if not a megalomaniac. Of course, the other part of what bothered me about TDK was Batman’s growly voice. Few thoughts: This is one of the best things you’ve written. In Chris Sims, Chad Bowers and Alti Firmansay's "X-Men 92" #6, the X-Men will come across the Flaming Lips and the Toadies. Had you continued your schooling rather than choose to school us all, this could easily have become your senior thesis or even dissertation. The scene works not just because we know what the Joker card means when Gordon hands it to Batman, but because we know that the Joker is the one you have to worry about. So he could not copyright the fish as genetically modified, they’re just dead with a very specific muscle contraction. Including four major villains—five if you include Catwoman, six if you want to view Harley Quinn and the Joker as two separate forces, and seven if you really want to make the case for counting Killer Croc based on how the other villains treat him—gives the show an opportunity to show how the bad guys interact with each other when Batman's not around. Dec 7, 2013 - In this week's column, Chris Sims discusses Harley Quinn, the Joker's girlfriend one of the most misunderstood and misused characters in all of superhero comics. Is this what we can expect from the suddenly more mature Chris? And a blast to read. This should be required reading for anyone who’s a fan of Batman.

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